WSN’s guide to the 62nd New York Film Festival
In anticipation of this year’s New York Film Festival, WSN has put together a list of must-see movie premieres that you will want to secure tickets for before they sell out.
Off the Radar: Feminism, race and gender in ‘The Big City’
Off the Radar is a weekly column surveying overlooked films available to students for free via NYU’s streaming partnerships. “The Big City” is available to stream on Kanopy and Max.
WSN’s guide to the 61st New York Film Festival
In anticipation of this year’s New York Film Festival, WSN has put together a list of must-see movie premieres you will want to secure tickets for before they sell out.
Review: ‘How to Blow Up a Pipeline’ is a sleek tale of environmental revolution
With Daniel Goldhaber’s stylish direction and a strong cast, “How to Blow Up a Pipeline” turns a story about property destruction into a tense thriller.
Review: ‘Evil Dead Rise’ brings new life to the cult horror franchise
“Evil Dead Rise,” is in theaters starting April 21. This movie is ready to scare you and everyone else — no one is safe.
Review: Ruel breaks the ‘4TH WALL’ with debut studio album
Ruel’s highly anticipated debut studio album touches hearts and minds with its reminders that love and loss are part of growing up and into ourselves.
Review: ‘Argentina, 1985’ and the legacy of a landmark anti-fascist trial
Nominated for best international feature film, Santiago Mitre’s “Argentina, 1985” depicts a monumental event in Argentine and international legal history. The film is showing in select theaters and streaming on Amazon Prime.
The case against ‘Whiplash’
We made a huge mistake giving this guy an Oscar.
Review: ‘When You Finish Saving the World’ doesn’t know what to do with itself
Jesse Eisenberg’s directorial debut flounders — much like its two main characters.
Review: ‘Living’ is a remarkably pointless rendition of an all-time classic
“Living,” the British remake of Akira Kurosawa’s “Ikiru,” excels in being just that, but unfortunately offers nothing new.
Review: ‘Closed Circuit’ fails to examine human condition through its provocative filmmaking
Tal Inbar’s “Closed Circuit,” an international selection at DOC NYC, undermines cinema’s humanist value in exploiting trauma for insincerity and shock value.
NYU’s 10th Reel China Biennial envisions promising future for independent Chinese cinema
The Tisch Cinema Studies Department, the Asian Film & Media Initiative, and the Center for Religion and Media co-presented the first Reel China festival since the start of the pandemic.
