
Review: Rosalía’s ‘MOTOMAMI’ is a feminist manifesto
The Spanish artist’s highly anticipated third album came out on March 18.
Sara Vargas, Contributing Writer
• March 30, 2022

‘Demonlover’ Review: Assayas’ violent, sex-driven commentary on media falls short
“Demonlover” by Olivier Assayas is currently playing at Lincoln Center’s virtual cinema. Recently restored, the film still stands as a venomous critique of cyberpolitics.
April 5, 2021

Eva Mundo, Deputy News Editor • October 8, 2025

Skylar Boilard, Performing Arts Editor • October 8, 2025

Rhea Kohli, Contributing Writer • October 8, 2025


Maya Santiago, Fine Arts Editor • October 8, 2025