Review: Rosalía’s ‘MOTOMAMI’ is a feminist manifesto
The Spanish artist’s highly anticipated third album came out on March 18.
Sara Vargas, Contributing Writer
• March 30, 2022
‘Demonlover’ Review: Assayas’ violent, sex-driven commentary on media falls short
“Demonlover” by Olivier Assayas is currently playing at Lincoln Center’s virtual cinema. Recently restored, the film still stands as a venomous critique of cyberpolitics.
April 5, 2021
Omar Drissi, Contributing Writer • January 30, 2025
Amelia Hernandez Gioia, Deputy News Editor • January 30, 2025
Dharma Niles, News Editor • January 30, 2025
Dido Trowell, Contributing Writer • January 30, 2025
Ethan Li, Deputy Copy Chief • January 30, 2025