Review: Rosalía’s ‘MOTOMAMI’ is a feminist manifesto
The Spanish artist’s highly anticipated third album came out on March 18.
Sara Vargas, Contributing Writer
• March 30, 2022
‘Demonlover’ Review: Assayas’ violent, sex-driven commentary on media falls short
“Demonlover” by Olivier Assayas is currently playing at Lincoln Center’s virtual cinema. Recently restored, the film still stands as a venomous critique of cyberpolitics.
April 5, 2021

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Evan Barragate, Contributing Writer • October 24, 2025

Julian Torres, Staff Writer • October 24, 2025

Srishti Mangla, Contributing Writer • October 24, 2025

Emily Barbire, John Bush, Dylan Henschen, Kiran Komanduri, Lauren Ng, Matthew Singh and Sidney Snider • October 24, 2025


















































































































































