All content by Ian Sleat

Review: ‘SALVATION’ is relentless, daunting and convoluted
In her second full-length project, Rebecca Black hits back at “Friday” haters while also asserting her presence in the electro-pop space.
Ian Sleat, Contributing Writer
• March 10, 2025

Review: ‘choke enough’ is a hard-hitting anthology of random, playful electropop narratives
In her full-length debut, the French synth-pop princess Oklou pushes the bounds of her discography, which, for years, has circulated almost entirely online.
Ian Sleat, Contributing Writer
• February 21, 2025

Review: ‘EUSEXUA’ is ingenious, experimental club-pop brilliance
FKA twigs’ third full-length project expresses ecstasy and freedom through unrestricted lenses of intimacy, art and the supernatural.
Ian Sleat, Contributing Writer
• February 3, 2025

Review: Ethel Cain is back, and you should be afraid
“Perverts” is intrepid and unapologetic, defying those who believe that track length and sonic consistency are one-size-fits-all.
Ian Sleat, Contributing Writer
• January 23, 2025

Sidney Snider, Sports Editor • March 22, 2025


Kiran Komanduri, Photo Editor • March 22, 2025


Sidney Snider, Sports Editor • March 21, 2025