All content by Ian Sleat
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Review: ‘choke enough’ is a hard-hitting anthology of random, playful electropop narratives
In her full-length debut, the French synth-pop princess Oklou pushes the bounds of her discography, which, for years, has circulated almost entirely online.
Ian Sleat, Contributing Writer
• February 21, 2025
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Review: ‘EUSEXUA’ is ingenious, experimental club-pop brilliance
FKA twigs’ third full-length project expresses ecstasy and freedom through unrestricted lenses of intimacy, art and the supernatural.
Ian Sleat, Contributing Writer
• February 3, 2025
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Review: Ethel Cain is back, and you should be afraid
“Perverts” is intrepid and unapologetic, defying those who believe that track length and sonic consistency are one-size-fits-all.
Ian Sleat, Contributing Writer
• January 23, 2025
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Amanda Chen, Deputy News Editor • February 21, 2025
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Paige Ablon, Contributing Writer • February 21, 2025
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Grace Tan, Identity & Equity Editor • February 21, 2025
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Yael Grosman, Contributing Writer • February 21, 2025