Arts
Mitski is back. God help us all.
The artist known for wreaking emotional devastation on her listeners is back with another single. What can we expect as we anticipate her “Laurel Hell” album next year?
Alex Tey, Deputy Managing Editor
• November 11, 2021
Listen to this: Mariah Carey releases another Christmas song
Read about the most notable singles by Charli XCX, IDLES and more.
Yas Akdag, Isabella Armus, Ethan Beck, Holden Lay, Elissa Lonie and Candace Patrick
• November 11, 2021
beabadoobee cranks the volume up at Webster Hall
The Filipino-British singer-songwriter delivered an excellent balance of indie-pop hooks and grungy noise.
Jack Solomon, Contributing Writer
• November 10, 2021
Hannah Jadagu elevates bedroom pop at her first headline show
The NYU student artist shines at the Sultan Room in Bushwick.
Elle Liu, Contributing Writer
• November 9, 2021
Review: ‘No Time to Die’ is the perfect ending for Daniel Craig’s Bond
After 15 years, Craig ends his tenure as James Bond with action and emotion.
Saige Gipson, Staff Writer
• November 9, 2021
A former NYU circus professor’s lifelong juggling act
Hovey Burgess discusses retirement, showbiz and his upcoming movie about a foot-juggling polar bear.
Clara Scholl, Contributing Writer
• November 8, 2021
Tisch prof reveals music struggles and triumphs in new book
Mike Errico’s book "Music, Lyrics, and Life" compiles lessons learned from his years of teaching students to overcome their fears and doubts as they enter the tumultuous music industry.
Sarah John, Contributing Writer
• November 8, 2021
Listen to this: BENEE’s latest single dives into the struggles of anxiety
Read about the most notable singles this week by Conan Gray, Porcupine Tree and more.
Yas Akdag, Candace Patrick, Ethan Saffold and Jack Solomon
• November 4, 2021
Review: Parquet Courts evolves their sound on ‘Sympathy for Life’
The ever-influential Parquet Courts allow themselves to be daring and inspired on their latest album.
Holden Lay, Staff Writer
• November 3, 2021
Review: ‘The French Dispatch’ and the tyrannical tenderness of Wes Anderson
Wes Anderson’s 10th feature film, “The French Dispatch,” presents itself as an apogee of aesthetic redundancy.
Nicolas Pedrero-Setzer, Arts Abroad Editor
• November 2, 2021
K-pop burn book: October edition
“Oh my gosh, don’t you know I’m a savage?” No, Winter, you probably can’t break anyone into pieces.
Alexandra Chan and Joey Hung
• November 2, 2021
Review: ‘Twilight: Los Angeles, 1992’ calls out America’s racial hypocrisy
Playing at The Signature Theatre, Anna Deveare Smith’s play about the Rodney King uprising is still tragically relevant.
Katie Brown, Contributing Writer
• November 2, 2021
Carmo Moniz, Editor-at-Large • May 15, 2024
Yezen Saadah, Editor-in-Chief • May 15, 2024
Martha Minow, Guest Contributor • May 15, 2024
Dharma Niles, News Editor • May 15, 2024