Arts

Ranked: THE DRIVER ERA’s 4 albums
Enjoy this ranked list of the duo’s discography as we celebrate the release of its newest album, “Obsession.”
Leo Field, Staff Writer
• April 28, 2025

Review: ‘All Nighter’ takes on the college student’s psyche
This one-act show captures all of the saccharine sincerity inherent to college friendships and campus politics — for better or for worse.
Eleanor Jacobs, Music Editor
• April 28, 2025

10 years later, ‘Ex Machina’ is electrifyingly relevant
Alex Garland’s sci-fi drama prompts us to question artificial intelligence and its role in the film industry a decade after its release.
Leo Field, Staff Writer
• April 25, 2025

Review: ‘On Swift Horses’ is a slog
Gen Z’s favorite heartthrobs couldn’t save this LGBTQ+ melodrama from folding.
Dani Biondi, Film & TV Editor
• April 25, 2025

Review: Watch out Baby Yoda, it’s Ochi’s turn
A24’s “The Legend of Ochi” delivers a wonderful fantasy world, but fails to deliver much else.
Christine Vigliotti, Contributing Writer
• April 25, 2025

Review: In ‘Sacramento,’ appropriately flawed characters are matched by an equally flawed plot
Michael Cera delivers a wonderfully awkward performance in a middling movie.
Oshmi Ghosh, Contributing Writer
• April 24, 2025

Review: In Bon Iver’s ‘SABLE, fABLE,’ everything is sparkling
This two-pronged project has unlocked a new level of passion and candor from the ballad pro.
Rory Lustberg, Staff Writer
• April 24, 2025

Review: ‘John Proctor is the Villain’ wages war on the male abuser
Open up your SparkNotes: Kimberly Belflower’s new play stages a reexamination of Arthur Miller’s “The Crucible.”
Ethan Li, Deputy Copy Chief
• April 23, 2025

Review: ‘American Sublime’ at the Whitney responds to the Trump era
Amy Sherald’s first major museum show is on view in New York City until Aug. 10.
Eloise Maguire, Contributing Writer
• April 23, 2025

Review: The Wrecks’ ‘INSIDE:’ is perfectly heartbreaking and upbeat
The indie band intrigues listeners by releasing the first half of a larger upcoming musical project.
Caia Cupolo, Contributing Writer
• April 23, 2025

Review: ‘The Wedding Banquet’ subverts farcical formulas with a fruity, modern twist
In Andrew Ahn’s reimagining of the classic Ang Lee film, four LGBTQ+ friends find that marriage isn’t the solution to all their problems.
Ethan Li, Deputy Copy Chief
• April 22, 2025

Remembering William Finn: Finding joy in pain, at NYU and on Broadway
The composer-lyricist and Tisch professor was widely known for the award-winning Broadway musical “Falsettos” and nurturing young writers.
Ethan Li and Ella Sabrina Malabanan
• April 22, 2025

Yezen Saadah, Editor-in-Chief • May 7, 2025


Maya Joy Randolph, Video Editor • May 7, 2025

Joanne Lee, Contributing Writer • May 7, 2025

Kyra Mehta, Contributing Writer • May 7, 2025