Music

Review: Divorce’s debut album is worth the wait
The band’s long-awaited record, “Drive to Goldenhammer,” delivers playfulness by creating another world.
Caia Cupolo, Contributing Writer
• March 20, 2025

Review: Lady Gaga’s ‘MAYHEM’ is a revitalized return to form
The NYU alum’s latest studio album thrives when she embraces her eccentricities and falters when she boxes herself in.
Skylar Boilard, Staff Writer
• March 18, 2025

Student rockstar Naomi Yanos on performance and new EP
The NYU senior spoke with WSN about producing their own music and the release of their newest record, “Rock in the Forest.”
Eva Mundo, Staff Writer
• March 18, 2025

Review: JENNIE’s ‘Ruby’ is the perfect balance of persona and personal
Completing the quartet of BLACKPINK’s solo projects, JENNIE’s debut album lands on top.
Amelia Knust, Staff Writer
• March 17, 2025

Review: Architects get experimental on ‘The Sky, The Earth & All Between’
The British band returns to the metal world, dipping into multiple genres across twelve songs.
Roshan Rao, Contributing Writer
• March 13, 2025

Review: ‘SALVATION’ is relentless, daunting and convoluted
In her second full-length project, Rebecca Black hits back at “Friday” haters while also asserting her presence in the electro-pop space.
Ian Sleat, Contributing Writer
• March 10, 2025

Review: LISA’s ‘Alter Ego’ is an exciting debut with questionable substance
On the K-pop star's first solo album, we meet five alter egos instead of the woman behind it all.
Amelia Knust, Staff Writer
• March 10, 2025

Review: Tate McRae ascends to pop princess status in ‘So Close to What’
The singer is her most confident self in her latest studio album, making it easily her best work to date.
Skylar Boilard, Staff Writer
• March 7, 2025

8 of our favorite film scores
Because music is as good a narrative device as any.
Dani Biondi, Amelia Knust, Kaleo Zhu, Ethan Li, Joe Paladino, Isabella D’Erasmo, Rory Lustberg and Kyra Reilley
• March 6, 2025

Sam Fender’s ‘People Watching’ delivers smashing personal reflection
The singer blends intimate storytelling with societal critique in this musically robust and dynamic project.
Rory Lustberg, Staff Writer
• March 5, 2025

Review: Alessia Cara’s ‘Love & Hyperbole’ is personal and honest
The singer’s newest album explores personal themes of love and mental health in a refreshing way.
Ellie DaSilva, Contributing Writer
• March 3, 2025

Review: Rusty Williams’ ‘Grand Man’ reflects on timeless love
The 78-year-old grandfather of Paramore’s Hayley Williams releases his debut album 50 years after its initial recording.
Brishti Sarkar, Contributing Writer
• March 3, 2025

Sidney Snider, Sports Editor • March 22, 2025


Kiran Komanduri, Photo Editor • March 22, 2025


Sidney Snider, Sports Editor • March 21, 2025