‘The Day Shall Come’ Boldly Lampoons Terror and the FBI
“Four Lions” director Chris Morris takes a stab at religion, terrorism and petty government feuds.
Nicholas Weid, Contributing Writer
• October 3, 2019
‘The Silence’: A Netflix Algorithm Mishap
Netflix’s algorithms have predicted some of our favorite original productions, but “The Silence” isn’t one of them.
Yaroslava Bondar, Staff Writer
• April 23, 2019
Review: Puberty Sucks But ‘Eighth Grade’ Doesn’t
Ryan Mikel, Arts Editor
• July 13, 2018
“Louder Than Bombs” Experiments With Time Successfully
Dejarelle Gaines, Copy Chief
• April 8, 2016
‘Sweet Bean,’ From Japan, Is Slow Yet Satisfying
Carter Glace, Staff Writer
• March 25, 2016
Visually Stunning “Krisha” Only Tells a Hackneyed Story
Dejarelle Gaines, Copy Chief
• March 24, 2016
Alum’s Documentary Highlights Immigration Issue
Daria Butler, Staff Writer
• March 24, 2016
‘Highway’s’ bumpy ride ultimately rewarding
February 21, 2014
Dharma Niles, Deputy News Editor • May 5, 2024
Aashna Miharia, Deputy News Editor • May 3, 2024
Adrianna Nehme, News Editor • May 3, 2024