Phyllis Lam, Contributing Writer
• February 21, 2017
As Black History Month continues, the Steinhardt Art & Arts Professions department has opened "jux-ta-po-si-tion," taking in what it means to be a black artist in today's America.
Phyllis Lam, Contributing Writer
• February 17, 2017
The Met's new exhibit of Dutch Golden Age painter Hercules Segers' landscape prints is a stunning display of an artist that influenced Rembrandt himself with his fine-tuned skill and innovation.
Ryan Mikel, Contributing Writer
• February 17, 2017
Last weekend, the Skirball Center hosted the American Ballet Theatre Studio Company and the Royal Ballet School in an awe-inspiring and "en pointe" night of grace and precision.
The Museum at FIT's latest exhibit holds not just the fashion that influenced that era, but pieces like Yves Saint Laurent's tradition-defying Le Smoking suit, one of the most iconic pieces of women's evening wear in Western history.
Raymond Pettibon's new exhibit "A Pen of All Work" takes the fine lines of his pens and charges them to examine the blurred lines of social inequities.
Sarah Jackson, Contributing Writer
• February 13, 2017
With flair, fever and flavor, NYU proved that it can dance as well as the best of them at the So You Think NYU Can Dance? marquee Spring Welcome event — and trust us, the best of them turned out for the show.
Ryan Mikel, Contributing Writer
• February 9, 2017
Vim Vigor Dance Company creates a beautifully ambiguous, painstakingly detailed performance about four campers the not-so-dead body they happen upon in the woods.
Pablo Delano takes an unflinching look at the colonialist history of Puerto Rico's relationship with the United States in his exhibit "Museum of the Old Colony" at NYU's King Juan Carlos I Center.
The Student Resource Center thought it would be fun to have students paint while watching Bob Ross videos. We thought it would be fun to critique their paintings.
The Whitney Museum's latest exhibit takes a look at the 80's without the glamour and idolization of John Hughes films, instead peering at its darker undersides of identity and reality.
