![Miklós Jancsó reimagines an ancient Greek myth in his 1974 film currently playing at the Metrograph. “Electra, My Love” uses an ancient narrative as a statement on contemporary politics. (Image courtesy of Metrograph and Kino Lorber)](https://nyunews.com/wp-content/uploads/2022/01/ElektraMyLove_Jancso_1974_4-900x578.jpg)
Review: ‘Electra, My Love’ embodies the limits of revolution myths
Miklós Jancsó’s revolutionary 1974 reimagining of the ancient Greek myth of Electra is currently playing at Metrograph as part of a retrospective on the Hungarian director.
Katherine Williams, Contributing Writer
• January 26, 2022
![“Wuhan Driver,” a short film directed by Tiger Ji, a Gallatin junior, follows a Chinese Uber driver experiencing racist interactions with several passengers in New York City during the pandemic. (Image courtesy of Tiger Ji)](https://nyunews.com/wp-content/uploads/2022/01/arts-film-wuhan-driver-2-900x657.jpg)
Review: ‘Wuhan Driver’ loses its call to action, and itself, in vapid storytelling
“Wuhan Driver” is the latest short film by Tiger Ji, a Gallatin junior. The film follows a Chinese Uber driver dealing with a series of terrible riders at the onset of the pandemic in New York City.
Nicolas Pedrero-Setzer, Arts Editor
• January 25, 2022
![“Titane,” Julia Ducournau’s second feature film is an unconventional and thrilling success. With the film, Ducournau has become the second woman ever to win the Palme D’Or. (Image courtesy of Neon)](https://nyunews.com/wp-content/uploads/2021/10/arts-film-titanereview-900x506.jpeg)
Review: ‘Titane’ is a gnarly body horror journey
Julia Ducournau avoids the sophomore slump as the latest winner of the Palme d’Or award.
Sebastian Zufelt, Staff Writer
• October 14, 2021
![“The Nowhere Inn” is a mockumentary starring St. Vincent and Carrie Brownstein that was released on Sept. 17. The film is an experimental look at the role of the modern performer. (Image courtesy of IFC Films)](https://nyunews.com/wp-content/uploads/2021/10/arts-film-nowwhereinn-900x506.jpg)
Review: ‘The Nowhere Inn’ is a trippy exploration of persona
Recording artist St. Vincent and Carrie Brownstein of “Portlandia” team up for a beguiling yet frustrating mockumentary that explores the role of the modern performer.
Isabella Armus, Deputy Arts Editor
• October 4, 2021
![“Ballad of a White Cow,” co-directed by Behtash Sanaeeha and Maryam Moghaddam, is a 2020 Iranian drama film. This film follows Mina (Maryam Moghaddam) as she uncovers the bureaucracy of a repressive state. (Staff Illustration by Susan Behrends Valenzuela)](https://nyunews.com/wp-content/uploads/2021/07/arts-film-cow-susanbehrendsvalenzuela-900x673.png)
Review: “Ballad of a White Cow”
Co-directed by Behtash Sanaeeha and Maryam Moghaddam, “Ballad of a White Cow” offers a bleak, moral unraveling centering around the carceral state.
Elizabeth Crawford, Contributing Writer
• July 21, 2021
!["Raya and the Last Dragon" features Disney's newest princess and dragon sidekick based on vaguely Asian cultures. Disney's latest film presents another take on the empowered princess. (Staff Illustration by Susan Behrends Valenzuela)](https://nyunews.com/wp-content/uploads/2021/04/raya-review-900x675.png)
‘Raya and the Last Dragon’: Disney’s Latest Attempt at the Empowered Princess
Disney’s newest animated feature offers a multicultural, yet modern peek into the future of the princess archetype.
Julia Gastone, Staff Writer
• April 30, 2021
![Viktor Kossakovsky’s Gunda stars a pig, Gunda, in his new black and white film. Kossakovsky's film observes farm animals as they are, with no score or narration. (Staff Illustration by Alexandra Chan)](https://nyunews.com/wp-content/uploads/2021/04/gunda-900x600.jpg)
‘Gunda’ Review: A Love Letter to Farm Animals
Viktor Kossakovsky’s “Gunda” will be screened virtually and theatrically via Film Forum starting April 16.
Sophia Carr, Staff Writer
• April 9, 2021
![Aaron Sorkin's "The Trial of the Chicago 7" waters down the historical events' complicated situation. Depicting the 1968 civil rights trials is a challenge that the film did not meet. (Staff Illustration by Susan Behrends Valenzuela)](https://nyunews.com/wp-content/uploads/2021/04/7-01-900x675.png)
‘The Trial of the Chicago 7’ review: A watered-down version of history
Aaron Sorkin’s latest movie offers a quippy albeit unrealistic depiction of one of the most famous trials in American history.
Julia Gastone, Contributing Writer
• April 6, 2021
!["Cherry" is a film for Tom Holland to stretch his acting muscles while offering nothing else. (Staff Photo and Illustration by Jake Capriotti)](https://nyunews.com/wp-content/uploads/2021/04/CHERRY-900x599.jpg)
Tom Holland can’t stop ‘Cherry’ from going sour
“Cherry” is a lifeless film simply intended for Tom Holland to exercise his acting chops.
Holden Lay, Contributing Writer
• April 5, 2021
![Malcolm and Marie stars Zendaya and John David Washington as the couple returns home from a movie premiere. Sam Levinson's new film was filmed during the COVID-19 pandemic and takes place over one night. (Images via Wikimedia Commons, Staff Illustration by Alexandra Chan)](https://nyunews.com/wp-content/uploads/2021/04/rough-900x445.jpg)
“Malcolm & Marie” is a tedious attempt at exploring politics through art
What drives a filmmaker? What drives an artist? Sam Levinson’s film with Zendaya reflects on these questions and many more over the timeframe of one night.
Victoria Carchietta, Staff Writer
• April 2, 2021
![There is no actual horse in Alison Brie's "Horse Girl." Nonetheless, the Netflix series contains aesthetic and emotional competence that help create a unique hypnotic experience. (Staff photo by Abby Hofstetter)](https://nyunews.com/wp-content/uploads/2020/02/IMG_5451-900x506.jpg)
This Is a Review of ‘Horse Girl’ Starring Alison Brie, Thanks
This film has gotten a lot of medium reviews, so prepare for a large review.
Isabel Tan, Deputy Copy Chief
• February 12, 2020
![A poster of the stars of And Then We Danced, Sweden’s Oscar submission at the Cannes Film Festival. The film, set in Georgia, tells a compelling coming-of-age story of young dancers and serves as the director’s tribute to his heritage. (Staff Photo by Kaylee DeFreitas)](https://nyunews.com/wp-content/uploads/2020/02/IMG_1213-900x675.jpg)
‘And Then We Danced’ Shows the Freedom Within the Language of Dance
A Georgian coming-of-age story that uses dance as a way to communicate words left unsaid.
Kaylee DeFreitas, Arts Editor
• February 10, 2020
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Graylin Lucas, Contributing Writer • February 11, 2025
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Jake Christy, Contributing Writer • February 11, 2025
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Brian Sanchez, Contributing Writer • February 11, 2025
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Vaishnavi Girish, Contributing Writer • February 11, 2025
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