As much as the phrase "in today's political climate" has become as tired as a marathon runner after a race, there's something to be said for how crystal-clear a lens the alternate-reality novels of Kaitlyn Greenidge and David Means seemed to provide during their reading at the NYU Creative Writers' House last week.
The NYU Drama Therapy program tackled privilege of all sorts with avant-garde flair and talented precision in its presentation of three short plays by its master's candidates last week.
Anne Carson's reading at the Lillian Vernon Creative Writers' House last week affirmed the writer's position as one of the best authors to combine a sense of humor with translating ancient texts.
At her reading this Tuesday, Ottessa Moshfegh embodied the strange reality we've come to live in — replete both with strange humor and terrible situations.
The sheer impressiveness of the physicality in Shakespeare in the Square's adaptation of the classic "Coriolanus" makes it more than just good theater — it makes it an aching vindication of the feelings too often trapped inside ourselves.
Dandy Darkly's new solo show "Myth Mouth" creates a wildly entertaining performance from his quirky, unexpected monologues: be prepared for sloth meat, dogs in space and ostentatious costumes.
A different sort of exhibition took place at the Museum of Natural History last Monday as the members of several different human rights' groups gathered together to bring attention to the demeaning ways the Museum dealt with the history of America's indigenous peoples.
In a comfortable, candid conversation at McNally-Jackson Books last week, author Jamie Duclos-Yourdon shared the inspirations and influences behind his new book, "Froelich's Ladder."
