Review: Rosalía’s ‘MOTOMAMI’ is a feminist manifesto
The Spanish artist’s highly anticipated third album came out on March 18.
Sara Vargas, Contributing Writer
• March 30, 2022
‘Demonlover’ Review: Assayas’ violent, sex-driven commentary on media falls short
“Demonlover” by Olivier Assayas is currently playing at Lincoln Center’s virtual cinema. Recently restored, the film still stands as a venomous critique of cyberpolitics.
April 5, 2021
Carmo Moniz, Managing Editor • May 3, 2024
Sebastian Cardena, Deputy Opinion Editor • May 3, 2024
JP Pak, Contributing Writer • May 3, 2024
Amelia Chang, Contributing Writer • May 3, 2024